Updated 30 May, 2019

Someone please explain to me why Pakistani writers love to drag a story until they lose the purpose of said story? Why is the overdose of depression and tragedy so necessary?

Cheekh, a drama airing on ARY, started out with a pretty sound script wanting to make a difference and wanting to give women a voice – yet somewhere after episode 15, it lost track of its goals. At this point Cheekh might as well have been titled 'Aansoo'. Don’t get me wrong; there are some good scenes and lines, but they are few and far in between.

A little recap

Cheekh is the story of Mannat (Saba Qamar) getting justice for her friend Nayab's murder (played by Ushna Shah) that her [Mannat's] brother-in-law, Wajih commits. Mannat is married to Shayaan, Wajih’s older brother. The case is finally in court and hearings have begun.

Wajih (Bilal Abbas Khan) goes to ultimate extremes and crosses many lines to hurt Mannat emotionally and physically, with no regard for his own brother or for the consequences. From uploading a video stating Mannat is getting back at him because he rejected her, to having her mother’s house vandalised and locking her up in her own storeroom, Wajih does whatever he can to harm Mannat.

Saba Qamar and Ushna Shah in a still from Cheekh
Saba Qamar and Ushna Shah in a still from Cheekh

Mannat and Shayaan (Emmad Irfani) learn they are expecting but again, because of Wajih, she unfortunately loses the baby. Wajih's lawyer (Shabbir Jaan) not only encourages all of this, but presses him to do more to scare and break Mannat. He lies in court, shows a forged suicide note by Nayab, and even gets the inspector to lie on the stand.

Yawar, the older brother (Aijaz Aslam) is getting tired of Wajih’s tactics but still does nothing to stop him. We learn that it is he who is unable to have kids and not his wife, Shahwar (Maira Khan). He had reports faked five years ago cause his ego is bigger than his conscience and he is a weak, weak man. When Shahwar finds out the truth, she pretends that she is expecting and all hell breaks loose when he finally acknowledges that he can’t have kids and then… wait for it… he divorces her! This perhaps is the most preposterous end to that relationship, and I’ll discuss why.

When it all came crashing down

Haya’s (Azekah Daniel) character has a random epiphany after Wajih tells her he lied about Mannat having feelings for him. She still doesn’t believe that her brother killed Nayab, but not only does she apologize to Shayaan and Mannat, but also helps Nayab’s family.

Ramzan Ahmed (Nayab’s father, played by Noor-ul-Hassan) loses his job and house and end up on the street thanks to Wajih and his thugs. Shariq sees them at a mazaar and calls Haya after bringing them home with him. Haya arranges for a house and takes financial responsibility for the entire family.  

Read: TV drama Cheekh will keep you hooked even after it reveals the murderer

In episode 21, Mannat realizes that not only did this fight take everything from her, but also from her husband. It’s also the episode where Mannat’s mother continuously gets threatening phone calls telling her to stop her daughter from going to court or they’ll kill her.

That’s it ladies and gentlemen, the last four paragraphs are episodes 15-21. I have no clue as to why writer Zanjabeel Asim has dragged the script so much. There are numerous unnecessary scenes like Ramzan’s wife leaving him after he loses his job and then coming back – only to end up on the streets (by the way his wife’s makeup was pretty perfect for someone who doesn’t even have food to eat).

Also read: TV drama Cheekh presents a new Pakistani 'hero': a husband who actually trusts his wife

And the interaction between Haya and Shariq where he throws a glass in front of her car, even though the interaction just before that was quite pleasant and polite... that scene was completely out of place, even for a flashback. The scene where the househelp Lalu is framed for stealing Wajih’s phone and gets beat up, only to have Yawar apologize to him justifying it as Wajih under stress was also ridiculous.

But one of the most important scenes that absolutely horrified me was when Yawar divorces Shahwar. Don’t get me wrong, the divorce was absolutely necessary. Shahwar was lied to and disrespected for 5 years, made to feel “incomplete,” and Yawar treated her like he was doing her a favour by not asking for any kids even though he was the one with the medical condition.

But for the scene to have an impact or change narratives, Shahwar should have been the one to leave Yawar and ask for a divorce. This would at least have preserved her respect.

Shahwar's character arc deserves better!
Shahwar's character arc deserves better!

As a writer, you can tell whatever story you want – you have a chance to change thoughts and narratives, so why not? Why must one female be humiliated to the core just so another can somewhat fight?

Cheekh is supposed to be a story about a woman (Mannat) getting justice for her friend’s attempted rape and murder by her brother in law. She goes against everyone to do this with the only support being her husband. But by making every other woman in the drama appear weak, the show seems to be suggesting that if one woman seeks justice, all other women will pay the price for this.

Udaari dealt with this issue a lot more sensibly and with much more sensitivity even though within that drama, a massive difference of class and resources existed between abuser and abused. No one lost anything because of the fight. The women all stood as one to get justice — which they did. It was hard, but other women weren't humiliated to get justice. This proves that the misogyny shown in Cheekh just isn't necessary.

Also unnecessary is the plot point that shows Mannat losing her unborn baby. In choosing this, the writer is (again) saying women should just be quiet or lose everything they have if they want to fight. The overdose of tragedy and depression that Mannat and Shayaan have to go through is ridiculous.

Seriously, these two just can't catch a break.
Seriously, these two just can't catch a break.

There were some good scenes though. All the scenes between Mannat and Shayan are actually pretty great, especially the one where she hears him crying in the bathroom and the conversation they have afterwards is very real. For once, a husband has been shown to not only stand by his wife, but to also be sensitive and real about what he himself goes through after the loss of an unborn baby. Men usually aren’t shown like that in Pakistani dramas, so I do give the writer points for that.

The acting saves the day

Emad Irfani brilliantly portrays Shayaan in every manner. Not once does he tremble or lose sight of his character. He is made to go through a variety of different emotions and he does it all, flawlessly. The only other person I have seen who is able to do this is Fahad Mustafa!

Bilal Abbas Khan – this guy rocks as a psychopath. Wajih is relentless – he is calculated, he doesn’t at all care about who he hurts, or the consequences afterwards, and he is even there to rub their noses in it. If he were to sell his soul to the devil, the devil would give it back! I haven’t yet seen a psychotic character like this in Pakistani dramas and Bilal Abbas Khan aces it. There’s a scene where Shayan confronts Wajih saying “agli dafa waar karna hai to mere saamne karna, peeche nahi,” and he instantly without thinking says “done!” This guys is phenomenal!

Saba Qamar is as close as anyone can get to being compared to Marina Khan. She too has to go through a variety of emotions and is perfect in all of them.

Hardly surprising that Qamar's performance has been remarkable
Hardly surprising that Qamar's performance has been remarkable

The one person I’m really surprised about is Aijaz Aslam. I was never a fan and always thought he was OTT, but he fits into Yawar’s character like a glove. Yawar is this confused and weak egomaniac and for some reason, he has me feeling for him at times. It’s a very complex character and Aijaz Aslam does complete justice to it.

Aijaz Aslam has a new fan
Aijaz Aslam has a new fan

As flawed as the plot is, Cheekh's script does allow for layered characters.

In terms of direction, Badar Mehmood does a decent job with the script he has. He extracts complete perfection from his characters and gives us a great visual. The editing isn’t as up to par as it has been previously either as 21 episodes could easily have been delivered in 14-15 episodes.

I believe there are 5-6 episodes left so hopefully they’ll be better than the last few episodes. I really wish ARY had presented Cheekh in double episodes – it would have been more tolerable then.


Sal May 30, 2019 08:54am
Spot on ! Couldn’t agree with you more
Mirestan May 30, 2019 02:19pm
Pakistani dramas start up nicely, in the middle try to stretch episode. and then at the end destroy all the nice work of actors.
Laila May 30, 2019 03:20pm
Yes, Agreed. Cheekh, used to be my favourite drama. I would tune in every saturday. It was my treat. It no longer is, since episode 18 it when it went downhill. The plot lost all credibility and become predictable. It has become painfully obvious that this is a copy of Damini (old indian movie). It is such a shame because they had a great concent, great casting and could have made it their own. The only thing left is the chemistry and understanding between Shayan and Mannat. O-h m-y g-o-d. Such amazing love. My heart melts.
M. Abdul May 30, 2019 04:06pm
This has been the worst drama series this year - only credibility it has is due to the star power - all of people's favourite actors are getting the support otherwise the story has been the smalles circula of a plot that you can draw around a dot. He killed her, he is harassing her, she is getting no where, we all know it, they all know it, and there is the unrealistic court case... I think they should skip ahead and air the last episode and put viewers out of their misery...
Midhat May 30, 2019 11:25pm
Couldn’t agree more, used to live Cheekh, but now it’s more like an overdose of tragedy, and the promos of next episode show that the writer has left no stone unturned to make the story an unfortunate series of events for Mannat and Shayan, how can she end up in a mental asylum, that’s way too much to digest, honestly don’t feel like watching Cheekh any more.
Samina May 31, 2019 01:04am
Yes , true . The drama dragged too much .. too much crying on father’s character and Sabah’s was annoying at times .. the miscarriage was un nesassary .. That was an overdose of incidents... the writer never gets when to stop ..
Malik M Awais May 31, 2019 09:45am
Completely agreed
Malik M Awais May 31, 2019 09:46am
Completely agreed.
Samaha Zameer May 31, 2019 02:12pm
I do agree that the episode where haya and shariq are shown where shariq over reacts is weird. But divorce between shahwar and ejaz aslam was necessary and had to be this way so that there is some regret left for ejaz. And about the plot I blv where it is shown mannat looses everything and her mother is also getting affected by it but that is a fact. Cheekh is showing us what will happen if u, living in a place like pakistan fight against crime, what will happen to u and how ppl will do it no matter they r ur dewars. And it tells u this one reason why ppl dont fight against crime and criminals bcz they r not mentally physically or emotionally that strong to see their loved ones get hurt.
Laila May 31, 2019 02:48pm
@Samina The writer is the same as the one on Balaa. So now wonder she is out of tune with reality, psycholy, forensic (I never heard of doing forensic testing of a person . usually you do a DNA test to match. There is a field called Forensics however). Mannat who is clever, brave and strong - suddenly walks out of her home pregnant, unescorted and unarmed with wajih the pshycopath on the loose. Then you have the fickle Haya, who apparently still doesnt believe her brother is guilty yet apologizes to Shayan and Mannat sending a different message. At no point did it occur to Mannat to record that police inspector.
Aneeza May 31, 2019 05:06pm
You nailed it... just to stretch the otherwise reasonable script to 26 or 27 episodes they kill the soul of the story and here ny they i don't mean the writers its the script department infact which forces the writer to stretch it like rubber.. the content team.infact is the real menace
Laila May 31, 2019 05:56pm
ARY read all the readers comments here and maybe you can improve in future: What Cheekh should have done: 1) Mannat should have recorded the police inspector the many times he taunted her and pressured her to take back her case 2) Mannat should never have been shown walking out pregnant and alone and then shown on the car lane on the way back and Wajih chasing her. Where is her phone and why is suddenly far away from home? 3) Haya should've spoken to Asad and Shariq and sought the truth 4) Why is Shawar shocked at Yawar divorcing her? Why would she want to stay married to a man she can not trust and who is aiding and abetteing criminal Wajih? 5) Why does Shayan go to cry at Yawars shoulder knowing he is indirectly complicit by protecting Wajih? This would have enabled Cheekh to become a legal drama of highest caliber where the criminals and their helpers everybody from Wajih, Yawar, their corrupt lawyer, the police are put on stand and helpd accountable with strong dialogues.
Anil May 31, 2019 07:07pm
Absolutely. Good start poor finish.
joe Jun 02, 2019 06:52am
getting BORING now and i stopped watching useless waste of time