Azaan Sami Khan was already waiting for me at a restaurant in DHA, Karachi, when I arrived. I didn’t ask exactly for how long, since I was right on time — give or take five minutes.
He’s famished, he says, as we sit at the table on the cramped far end of the moderately loud diner (Azaan had politely asked the people sitting at that last table to move, saying something about triggering his OCD).
This isn’t the first time Azaan and I have met — our first interaction was on the set of Parey Hut Love (PHL), followed by a brief hello at the Lux Style Awards, and then at a private press gathering for PHL, where one of the PR people had politely nudged me to interview him.
While we did speak, the conversation was more routine, and the circumstances unfair for the young musician, who is also on the verge of making his acting debut. Azaan is the music director of both PHL and Superstar — the latter, he also wrote and wanted to produce before it was taken up by Momina & Duraid Productions.
The day at the diner is different and relaxed.
With his sleeves rolled, and the top two buttons of his chequered shirt undone, Azaan slices and munches through two well-done, grilled patties (it wasn’t a steak per se, just two heavy burger patties). However, I learn that he has a far greater appetite for something else: success — though not at the expense of losing his individuality.
He feels he was literally raised to do something for the film industry. He’s already been a producer, composer, screenwriter, an editor and now he’s going to try his hand at acting. But Azaan Sami Khan doesn’t want his hunger for success to drown out his individuality
Azaan, son of actor-producer Zeba Bakhtiar and her ex-husband Adnan Sami Khan, is literally bred to be a part of the industry by his parents.
“I attended production meetings when I was eight,” he tells me as we go into his backstory. “My mum used to force me to edit after I came home from school — our production company was producing dramas at the time — and I used to hate doing that, but now it all makes sense.”
“Maybe I was raised to do something for this industry,” he muses.
Somehow learning the rhythm of editing, making the choices of keeping, trimming or doing away with frames of a video, has subconsciously made him a better composer.
“In my mind, I’m always editing when I’m making music. I can see how notes line up, and whether they work or not in a split second, and that’s only because I was forced to edit when I was young.”
We didn’t touch on his struggles with weight, or his relationship with his family (his mum did call twice, followed by a few messages). The interview, for me, is not about his past; I want to know what his future will be. The conversation, however, almost always boomerangs to his beginnings.
Other than being a prodigal musician, it’s no secret that Azaan also wants to be a successful actor — his debut will happen in the Momina Duraid production Patakh De, a romantic action film due out either in late 2020 or 2021. Another film, about which he is tight-lipped, is also in the works.
Other than being a prodigal musician, it’s no secret that Azaan also wants to be a successful actor — his debut will happen in the Momina Duraid production Patakh De, a romantic action film due out either in late 2020 or 2021. Another film, about which he is tight-lipped, is also in the works.
“I want to do television. In fact, I may do a drama sooner than expected,” he interrupts out of the blue.