Dawn Images

As 2024 comes to an end and we reflect on the past year, we find ourselves looking back at the Pakistani dramas released throughout the year.

While some followed the traditional route, sticking to familiar storylines, they added little twists that made the familiar feel fresh whether through the way the story was told, the direction, or the acting.

There were also standout shows that focused on important social issues or explored new genres, from action dramas to stories with a lasting, educational impact. It’s been a year full of unexpected gems giving us high hopes as we venture into 2025.

Kabhi Main Kabhi Tum

This drama was the moment, conquering the hearts of millions of Pakistanis and Indians, it had us glued to our television screens. Kabhi Main Kabhi Tum was the desi version of a slow-burn romance we didn’t know we needed. Written by Farhat Ishtiaq and directed by Badar Mehmood, the drama proved that if there’s one thing the Pakistani television industry knows, it’s how to portray a great romance on-screen.

Two of Pakistan’s biggest actors starred in the show — Fahad Mustafa as the carefree, unemployed Mustafa and Hania Aamir as Sharjeena, who was the perfect mix of career aspirations and traditional values. Audiences loved the drama for capturing the realistic struggles of a couple who married in an unfortunate setting and built a world for themselves together.

It goes beyond the stereotypical utopic fairytale romance plot, making it an exciting watch that young viewers connected with for its ideas of balancing love, marriage, and career. The chemistry between the leads and the strong supporting cast, with special mention to Emmad Irfani and Naeema Butt, added to the show’s wholesome appeal.

Zard Patton Ka Bunn

A joint venture between the Kashf Foundation and Momina Duraid Productions, Zard Patton Ka Bunn, with refreshing honesty and authenticity, educated audiences about pivotal issues that plague our society including population control, family planning, education, maternal health, drug abuse, and gender-based violence.

Written and directed by the talented Mustafa Afridi and Saife Hasan respectively, the drama was destined for greatness with the team behind the scenes and lead actor Sajal Aly who was paired with promising young talent Hamza Sohail.

What stood out was how the makers didn’t just bank on mainstream appeal but chose to highlight the harsh realities faced by those dealing with these issues. Meenu’s (Aly) journey to become the first female doctor in her village was deeply moving. Her earnest interactions with her father, nephew and friend were relatable and portrayed healthy, non-toxic relationships.

Additionally, the chemistry between Sohail and Aly added an extra spark, with their adorable moments truly being the cherry on top of the cake.

Jafaa

Jafaa established itself not only as a conversation starter but as a show that aptly narrated the story of a domestic abuse survivor and allowed viewers to see the emotional chaos of trying to process what’s happening, recognise the abuse, and gather the courage to stand up for oneself.

Penned by Samira Fazal and directed by Danish Nawaz, Jafaa impressed audiences with powerful storytelling. The sub-plots talking about mental health, contraception, and birth control were also executed well. The chemistry between the actors was impressive, with Mawra Hocane, Usman Mukhtar, Sehar Khan, and Mohib Mirza delivering standout performances.

The sprinkle of romance, emotional depth, and a healthy depiction of sisterhood and friendship made the drama engaging and enjoyable to watch.

However, an overly dragged storyline and some poorly thought-out twists undercut its potential, the most notable being Andaleeb’s (Khan) decision to abandon her child, which felt outlandish and disconnected from the otherwise meaningful narrative.

Khaie

Khaie stood out for its powerful storytelling, intense performances, and plot focused on tribal customs and societal dilemmas. Written by Saqlain Abbas and directed by Syed Wajahat Hussain, the drama takes viewers on an emotional rollercoaster through the centuries-old Pashtun practice of revenge (Khaie), integrated with themes of love and betrayal.

The story follows the fierce family feud between Durab Khan (Khalid Butt) and Darvesh Khan (Noor ul Hassan), with their children caught in a web of conflicting loyalties and desires.

Faysal Quraishi shines as Channar Khan, whose infatuation with Zamda (played brilliantly by Durefishan Saleem) creates tension, as she is already promised to her cousin, Badal (Osama Tahir). The plot masterfully weaves a story of gut-wrenching decisions and the weight of traditions.

While some might debate its ending, the drama leaves a lasting impact and is a strong contender for one of the year’s finest productions given its magnificent visuals, a standout ensemble cast, and excellent direction.

Ishq Murshid

Ishq Murshid proved to be more than an enjoyable love story, giving audiences a glimpse into the political corruption crisis in Pakistan.

Shahmeer (Bilal Abbas), the son of a politician, falls for Shibra (Saleem), a woman from a modest background who strongly opposes the corrupt system. To win her heart, he disguises himself as the humble Fazal Baksh, and slowly enters the lives of Shibra and her family.

The blossoming romance and the on-screen chemistry between Abbas and Saleem were the focal points of the show, completely hooking audiences. The drama’s original soundtrack, sung in Ahmed Jehanzeb’s soulful voice, was a great addition.

The sets were breathtaking, with scenes shot by the sea enhancing the visual appeal. The brilliance in direction balanced simplicity with romance and a deep societal critique, capturing how wealth and power shape people’s lives. The banter and light-hearted moments made the drama great.

Which drama from 2024 was your favourite? And which drama do you think deserves a spot on this list? Tell us in the comments below.