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Wajih (played by Bilal Abbas Khan), a rapist and a murderer got what was coming to him. So why was he treated like a victim?

In the end, Cheekh wound up glorifying the bad guy

Wajih (played by Bilal Abbas Khan), a murderer got what was coming to him. So why was he treated like a victim?
Updated 14 Aug, 2019


After 30 episodes, Cheekh has (finally) ended.

Before I say anything else, I just want to state that if Bilal Abbas Khan doesn’t win the LUX Award for ‘Best Actor in a Negative Role’ category, it will be a grave injustice. I have found myself being shocked at how convincingly and brilliantly he portrays his character of Wajih; not once does he wince or go off track.

Read: TV drama Cheekh will keep you hooked even after it reveals the murderer

This character was not an easy one, yet he was so persuasive that at the end, even I felt bad for him for a second. Someone please give him the role of Satan/Lucifer in a supernatural thriller, maybe even Pakistan’s version of The Omen. Anyway, back to the plot...

How they wrapped up the story

The final four episodes of Cheekh were absolutely brilliant. They were on point, clear, and concise; Yawar (Aijaz Aslam) has a stroke and can no longer speak or walk on his own. Haya (Azekah Daniel) marries Wajih's friend, Shariq and Mannat (Saba Qamar) gets her day in court – literally, as she got the case reopened and was her own lawyer.


That finale though. Only wish the entire series was so well-paced.
That finale though. Only wish the entire series was so well-paced.

In fact, the last four episodes were nothing short of a well-oiled machine running smoothly – which really makes me wonder why we had to sit through 10 filler episodes (15-25). What purpose did they serve besides revenues through ads?

Had those filler episodes not been there, Cheekh would have been a blockbuster series, because besides the script, everything else was beyond perfection, especially the cast's acting.

Now let’s talk about those last 12 minutes, which I felt were the the most important 12 minutes of Cheekh. The writing was exceptional; Zanjabil Asim saved her best lines for this bit and Badar Mehmood’s direction was phenomenal – he missed nothing and extracted the very best from each character.

Also read: Will Cheekh be the drama that actually punishes the rapist?

In fact, Bilal Abbas Khan was so convincing and emotional as Wajih that he actually became the hero of the drama…and here lies the problem! We have got to stop making negative characters the heroes at the end. We already have rapists as heroes at the end (thanks Hum TV), now we have a killer as a hero too.


Lots of male tears but where's the remorse?
Lots of male tears but where's the remorse?

Wajih has an epiphany in jail and starts reading The Quran. He justifies everything he and Yawar did wrong because they didn't read The Quran with translation and since Shayan (Emmad Irfani) had read it with translation, he was on the side of good.

Does the writer have any idea how problematic and just ridiculous this notion is?

Wajih tells Yawar that he's going to meet their parents and will give them his salam. I don’t think his parents live in hell, because that is exactly where Wajih is supposed to end up in. But then again, the writer romanticises him into the hero, so he’s probably going to heaven. I’m guessing he won’t be telling his parents that he killed their other son, and his unborn child.

Does she not live in the same country where fundamentalists have not only read The Quran with meaning, but have memorised it, then used it to their own sick advantages by targeting non-Muslims or raping young boys? What about all the people who didn’t read The Quran with translation, and weren’t horrible human beings and didn’t murder four people?

As if as a human being, they don't know right from wrong. On the front, these lines are fantastic and really get to you, but if you think about what they actually mean, it's horrifying.

Even in the last 12 minutes, Wajih plays the victim. It wasn’t his fault because Yawar always shielded him; okay, I’ll give them that. If a child isn’t punished for doing a wrong, he/she’ll keep doing it. But listen to next few lines:

He tells Shariq that whatever he did to him (accusing him (Shariq) of killing Nayab), wasn’t intentional. Ummm. YES, IT WAS!

He intentionally blamed Shariq so Mannat would stop suspecting him. He tells Haya to take care of Yawar bhai as a brother, a son. Explain this please? Why can’t Haya just be Yawar’s sister? What is she going to do as a brother/son? Does she get magical powers?


Why be like Wajih when you can be, I don't know, a decent human being?
Why be like Wajih when you can be, I don't know, a decent human being?

But not only that, he tells Haya that she now needs to be Yawar bhai’s Wajih. Are you serious? Was the writer not paying attention to what Wajih did and was like? Why does Haya have to become Wajih? She already has the responsibility of being his brother/son, now she must be Wajih too?

He then tells Yawar that he is going to meet his parents and will give them his salam.

I don’t think his parents live in hell, because that is exactly where Wajih is supposed to end up in. But again, the writer romanticises him into the hero, so he’s probably going to heaven to meet his parents. I’m guessing he won’t be telling his parents that he killed their other son and his unborn child.

Can men please be held fully accountable for their wrongdoings?

But these aren’t even the most absurd parts of the last 12 minutes. What's really disgusting is that he apologises to Yawar and says he intentionally/unintentionally hurt his brothers, but he never mentions hurting Mannat or Nayab. The writer never makes him sorry or remorseful for that.

Yes, he gets the death penalty, but that is by the court. Wajih himself, even at the end, isn’t shown to be remorseful for what he did to Nayab and her father or Mannat. He never once is made to take responsibility for Nayab’s death, or Mannat’s mother’s death or even Mannat’s unborn child’s death.

The writer never makes him realise that he deserves the death penalty – that epiphany doesn’t happen.

I ask again: what message was Cheekh trying to give? The message I got was if you’re a woman, shut up and sit down instead of fighting for justice. Because if you fight, everyone dear to you will die and even when you do get justice, the criminal will be treated like a saint, even on death row!

The writer makes Mannat lose everything and everyone who was dear to her, and at the end, she doesn’t even get an apology? Wajih never once asks her for forgiveness and tells her he deserves this. She no longer exists and so again, I ask: why does the writer hate women?

And that whole line where Mannat narrates that “Khuda misaal banana ke liye na, hum sab mein se kisi eik ko chunta hai…aur woh eik, mein thi” is such sanctimonious hyperbole that I can’t even fathom what the reasoning behind that was.


Finally, Mannat gets her justice, but why did she have to lose everything in the process?
Finally, Mannat gets her justice, but why did she have to lose everything in the process?

Even more disturbing than the aforementioned issues, was that Yawar and Haya were acting like something horrible was happening to Wajih, as if he didn’t deserve this. Both Yawar and Haya were treating Wajih as if he was the victim!

The guy attempted rape, killed four people, and terrorised so many others in the process, yet Haya wanted to hug him. He was being treated like he killed someone by accident in a car crash or something. He was never held responsible for anything.

I’m going to compare this end to another ARY drama that aired last year titled Haiwaan. Faysal Qureshi plays the character of Hameed who gets drunk, rapes his daughter’s 9 year old friend, kills her, then hides the body in his own garden. When the truth comes a few years later, when he goes to jail, his family doesn’t stick by him. They don’t cry for him – all they have is shame and hatred for him.

When his sentence is done, he sees how his family hates him and doesn’t go home, rather goes to live in a dargah somewhere. THAT was the right ending. Hameed was held responsible for his crimes, not made a victim. That is the kind of ending Cheekh should have had.


Saba Qamar has outdone herself as Mannat
Saba Qamar has outdone herself as Mannat

Again, the acting, the background music, the emotions, everything was so brilliant that one gets lost in the scene and forgets that this absolutely disgusting! I ask again, what message was Cheekh trying to give? The message I got was if you’re a woman, shut up and sit down instead of fighting for justice.

Because if you fight, everyone dear to you will die and even when you do get justice, the criminal will be treated like a saint, even on death row!

Comments

Rajiv Kaushal Aug 14, 2019 10:52am
What an brilliant article..
Recommend
Jehengir Khan Aug 14, 2019 11:10am
Excellent acting and producer did a great job in highlighting the social issue....in reality, 1000s of women suffer brutally with no consequences....question is - will our society mature and accept women as our equal? It's a long way to go....to all women: keep fighting because others are not going to fight for you or even support you...
Recommend
Kashif Aug 14, 2019 11:23am
Agreed.
Recommend
Iftikhar Ali Aug 14, 2019 11:30am
Taste of death transforms the worst criminal into a good guy (even a hero). It’s a reality. And tell me one thing isn’t it the real picture of our society that justice is nowhere? ?
Recommend
sHAKEEL MAHOTA Aug 14, 2019 12:59pm
i agree with each and every word of the article. The last 12 minutes of the drama serial destroyed the impact of the message. It is true that reality is neither fully black or white, yet the drama unwittingly tended to win viewers' sympathies for the bad guy.
Recommend
Fiza Aug 14, 2019 03:19pm
Excellent drama..... Superb acting..Lets take drama as drama lets nit akways criticize every thung tgat comes on way... Bilal and saba were phenomenal..... Hats off to to every one who is a shadow of this play
Recommend
Ali Aug 14, 2019 05:31pm
Drama should not glorify criminal
Recommend
Alina Aug 15, 2019 02:51am
A weak plot seemed like only purpose was to show actors act and show how good a hero plays a villin so story was built around it. the sense less story moved on with the clutches of good acting skills and ofcourse fancy actors.
Recommend
syd ahmad Aug 15, 2019 07:23am
it was a great drama with superb acting by Bilal it was a better than any Hollywood movie. The country should be proud òf the talents they have. I take my hat off to aĺl the peopĺe involved in making this master piece
Recommend
Zia Aug 15, 2019 07:56am
A brilliant end with some flaws.. i.e. the Court didn't punish the accomplices who did the coverups.
Recommend
UMAIR Aug 15, 2019 05:00pm
Wajih was not let off or made hero. He was given death penalty and Hanged.
Recommend
Maria Aug 15, 2019 06:13pm
What a brilliant article this is. Yes to be honest the message that cheekh conveyed was that if u r a woman u cant get justice, dont dare to stand up with a right cause ever otherwise u ll end up loosing everything. And mannat was shown in the end as a woman who gets justice finally.... Comeon was this even justice? If she was able to get wajih a death sentence in the process ended up loosing three dear humans... Plzzzzzz
Recommend
Shameem Aug 18, 2019 03:33am
I loved ur review it made me laugh & it was to the point, that is exactly what happened, they ruined it after a few episodes, they forgot about where they were supposed to go with the story, i'm sure they just do it to annoy us, to test our patience otherwise why would they do it, unless they think that their ratings will go up with bad reviews
Recommend