Published Feb 13, 2017 10:46am

This new film reexamines the politics of Pak-India partition

From left to right: Manish Dayal, Huma Qureshi, Gillian Anderson, Gurinder Chadha and Hugh Bonneville in Berlin on Sunday.—AFP
From left to right: Manish Dayal, Huma Qureshi, Gillian Anderson, Gurinder Chadha and Hugh Bonneville in Berlin on Sunday.—AFP

Gurinder Chadha, the woman behind Bend It Like Beckham, demands British “accountability” for the humanitarian disaster triggered by the Indian subcontinent’s partition, in her new all-star drama Sunday at the Berlin film festival.

Viceroy’s House tells the story of Lord Mountbatten (Hugh Boneville) overseeing the 1947 end of three centuries of colonial rule. He and his wife (Gillian Anderson) are portrayed as well-meaning if naive puppets of London at the start of the Cold War, as Mountbatten agrees to the carve up the subcontinent between Hindu-dominant India and Muslim Pakistan.

While global politics is being made upstairs, the Indian servants observe the goings-on with mounting horror, just as a love story buds between a Muslim member of staff (Huma Qureshi) and a Hindu valet (Manish Dayal).

In the film, the partition is seen as rushed, chaotic and eventually disastrous, fuelling sectarian violence and a refugee crisis that displaced an estimated 14 million people and left up to a million dead.

Viceroy’s House begins with the tagline “History is written by the victors”, often attributed to Winston Churchill.

Chadha, who made one of the most successful British movies of all time with 2002’s Bend It Like Beckham, is a Punjabi Briton whose own family was displaced by the partition.

She said she aimed to challenge the received wisdom on it. “There was a far bigger game at play which was the geopolitics of the time, which are not too dissimilar to the geopolitics playing today in that part of the world,” she said.

“The film shows a series of blunders that led to the disaster as well as careful political manoeuvring for bigger interests in the back.”

Chadha indicates in the film that the British fomented religious hatred based on a “divide-and-rule” strategy and planned for the partition, even as World War II raged, to squeeze the Soviet Union out of a regional foothold.

Although she began working on the project seven years ago, long before Brexit or Donald Trump’s run for US president, she said the film’s themes of poisonous divisions and the destructive power of walls resonated more strongly now.

“Here we are releasing the film when the politics of hate and division are so prevalent and are defining not just America at the moment but... [also] Europe,” she said.

“I feel this film is a timely reminder of what happens when you promote hate and division and start to criminalise a group of people. The end result is violence and death and history tells us that.”

Viceroy’s House is screening out of competition at the Berlin film festival, which runs until Feb 19.


Originally published in Dawn, February 13th, 2017

Email