The awaam considers me a real film man, says Syed Noor
One could say it's not a good time to be Syed Noor.
His next film Chain Aye Na - a comeback of sorts for the veteran director - has drawn severe criticism in its promotional phase. So far his young cast - Shahroz Sabzwari, Sarish Khan and Adil Murad - have vehemently defended the project.
Now it's Syed Noor's turn.
Images speaks to Syed Noor about the poor reception Chain Aye Na received and the divisions in the Pakistani film industry.
Images: In the director's words, what is Chain Aye Na all about? What message did you want to give your audience?
Syed Noor: Look, a film isn't about messages. A film's purpose is to entertain; it's a larger than life medium. My films' backbone has always been its music. My films have run in cinemas for up to five years due to the strength of the soundtracks. Jeevan, Sargam, Ghoongat, Choorian — their music is all exemplary.
I've noticed that films these days are totally westernised. They are either following Hollywood or those Bollywood films that are out of touch with music. Today, we won't find songs like those in Pakeezah, Qayamat Se Qayamat Tak or Dilwale Dulhania, that's why Bollywood films don't run for a long time anymore. Similarly, in Pakistan, the new filmmakers are not paying attention to music... or screenplay, for that matter.
So what I wanted to do with Chain Aye Na is to bring back the music that people have longed to hear.
Images: You feel that's what is missing from Pakistani cinema — music of the yesteryears?
SN: Some people said that Chain Aye Na is like 90's cinema. I proudly say that yes, this is 90's cinema, which is the real cinema. People will sit in the hall and enjoy the music — we have a mehndi song, romantic songs, the film is all based on romance.
In my film, nobody will be able to guess the end of the romance. It's a triangle love story. The love story will have no message, only entertainment. The songs will not be anthems, only entertainment. It's a totally family entertainment film.
"I don't care about how much business Chain Aye Na does. I've madethis film and will continue to make more because I don't know how todo anything else," says Syed Noor.
There are no ganday [dirty] dialogues, no ghaleez baat [indecency] in my film. Because I have a self censor within me. Till date, no film of mine has been cut by the censor board. This film is also totally uncut. Because I have a self censor. I am the father of three daughters, and when I make films, I have to think about whether my film will embarrass me in front of my daughters or anyone's daughters because they're also like my own.
But in the end, entertainment is important. There shouldn't be any dryness, any dragging subject. Keeping all these things in mind, Chain Aye Na is a complete package.
Images: The interesting thing about Chain Aye Na's cast is that they all belong to filmi families. Shahroz is Bahroze Sabzwari's son, Sarish is Sabiha Khanum's granddaughter and Adil Murad is Waheed Murad's son. Was this casting deliberate?
SN: The other reason why I made Chain Aye Na was that our living legends have not been used, the people who belong to film. I've noticed that in India (because we're always comparing ourselves to India), their industry's strength is their legacy. Second-, third-, fourth-generation actors are leading the industry, which is not the case here. I want to introduce this as a trend.