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London exhibition showcases 1,000-year-old Bayeux tapestry

London exhibition showcases 1,000-year-old Bayeux tapestry

The 70-metre-long masterpiece left France for the first time since the 11th century.
11 Sep, 2026

The first visitors to the British Museum’s blockbuster Bayeux Tapestry exhibition spoke of their excitement at seeing with their own eyes the 1,000-year-old embroidery many remember from school lessons.

The sell-out display, which opened to the public on Thursday, has sparked a Bayeux craze across Britain, with newspapers producing special guides, online discussions about securing tickets, and the pub opposite the museum temporarily changing its name to ‘The Beer Tapestry’.

 People walk past an advertisement for The Bayeux Tapestry exhibition outside the British Museum
People walk past an advertisement for The Bayeux Tapestry exhibition outside the British Museum

The masterpiece will be shown at the museum in central London for the next 10 months, having left France for the first time since the 11th century. It depicts the Norman invasion of England in 1066, the most famous date in the nation’s history.

 A detail of the embroidery depicting the scene of King Harold’s death in the Bayeux Tapestry is displayed during the press preview
A detail of the embroidery depicting the scene of King Harold’s death in the Bayeux Tapestry is displayed during the press preview

“It’s just magical, isn’t it?” said Pauline Gairey, 53, a finance professional who had travelled from Wales, and recalled studying the tapestry at school. Scenes from inside the museum showed staff dressed in medieval battle dress with helmets, shields and swords, in another sign of Bayeux mania.

 A journalist looks at a section of the Bayeux Tapestry during the press preview
A journalist looks at a section of the Bayeux Tapestry during the press preview

The 70-metre-long tapestry is being displayed in a bespoke glass case, with ticket holders allotted 40 minutes to view it from an elevated platform, before heading do­­­­­­­­­w­­n some stairs to view the stitching up close.

“It’s amazing that the colour is still so vivid…it’s amazing it’s survived so well and so long,” said Richard Samuel, 60, a solicitor, coming out of the exhibition.

Originally published in Dawn, September 11th, 2026