Balu Mahi proves Pakistan can't stomach love without marriage
In Balu Mahi, we see the blooming of an accidental love.
Balu (Osman Khalid Butt) crashes the wrong wedding and professes his undying love to the wrong bride, that is, Mahi (Ainy Jaffri Rahman, while she’s hidden under a ghoonghat). Mahi isn’t too keen on her husband-to-be (or marriage at all, for that matter), so she runs away with him anyway.
So starts the adventure of Balu Mahi — a long-winded, two-part journey that takes the duo through old Lahore and beyond with Mahi’s family of quasi-goons in hot pursuit. Mahi just wants to live her own life, not what her traditional family demands of her. Balu follows her around, partly because he feels responsible for her safety and partly because he is fascinated by this strange ebullient being who is unconsciously healing his broken heart.
The adventure stretches over two and a half hours, during which we see some song and dance sequences, a fair number of LOL moments and lots of pretty shots of Pakistan. All the while, the film’s message about women’s rights is intermittently hammered into the script.
The film thus tries to balance Balu and Mahi’s role as its didactic mouthpieces with the more fun parts of the narrative, making it a fairly solid commercial fare. But it drops the ball at a few places — and quite noticeably so, which mars our overall enjoyment of the film.
But first, the good parts...