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Film review: In 'Baar Baar Dekho', time travel crashes a Punjabi wedding

Film review: In 'Baar Baar Dekho', time travel crashes a Punjabi wedding

Nitya Mehra’s directorial debut is catnip for audiences who love movies with lovely faces and empty heads
10 Sep, 2016

Nitya Mehra’s directorial debut takes tips from Harold Ramis’s comic classic Groundhog Day in trying to re-imagine the Bollywood romcom.

Jai (Sidharth Malhotra) has been seeing Diya (Katrina Kaif) since they were eight but it seems that apart from sashaying in slow motion against soft-focus backdrops, they haven’t been doing much talking.

When it comes to taking the vows, Jai dithers. The whole of North India is at his wedding but where is the place to catch a breath, he complains while standing on the lawns of a mansion that could house a few hundred people.

After a spat with Diya and a drunken night, Jai wakes up in successive phases in his own future. He can see what is to become of his relationship, and not all of it is pretty. Can he stop time and alter his seemingly inevitable fate, like Bill Murray from Groundhog Day?

Mehra tries to elevate shopworn material by making her characters seem deeper than they actually are. Baar Baar Dekho is catnip for audiences who love movies with lovely faces and bodies and empty heads (Malhotra and Kaif fit the bill), chartbusting soundtracks (like this one), foreign locations that they can visit vicariously (Thailand, England), and luxury sets that let them escape the heat and dust of the real India.

There isn’t one bad-looking frame in this movie, which has been shot by cinematographer Ravi K Chandran to resemble a 141-minute video for Architectural Digest.

The casual chic extends to the storytelling style and the direction of the actors. There’s no place for hysterics in this perfectly designed world, and when Jai tries to make sense of his situation, he looks mildly bewildered rather than disoriented.

The dialogue is conversational, the characters act naturally, and stand-up comedians try to give the material some edge (Anuvab Pal has co-written the self-important screenplay; Rohan Joshi attempts to portray Jai’s friend Raj).

Sleek sentient gadgetry marks the distant future (Twitter will still be around, it seems), while the material and physical surroundings available only to a privileged few mark the present.

East and West

But Baar Baar Dekho doesn’t want to be dismissed as frivolous fare about the minor creases on the brows of the uber rich. The film doesn’t want Groundhog Day’s cheerful anarchic sense of fun either.

Thus Jai is described as a bright mathematician with a brilliant future at the University of Cambridge, while Diya is a “modern artist”. It’s telling that both characters blend Indian and Western motifs in their work – he is pursing Vedic mathematics; she is making collages out of traditional portraiture.

While Malhotra is sincere and Kaif capable, they are handicapped by the lack of substance in their characters
While Malhotra is sincere and Kaif capable, they are handicapped by the lack of substance in their characters

The movie’s heart is similarly dual-faced. It wants to be seen as a departure from sentimental Hindi film romances, but it doesn’t want to let go of the messy bundle of emotions these films tap into.

With a tighter screenplay, sharper dialogue and more accomplished leads, Baar Baar Dekho could have been that hybrid between Hollywood and Bollywood genres, but it is neither here nor there, neither of the present nor of the future. Mehra has a fashion catalogue writer’s eye for beauty, but this movie needed a Mills & Boon writer’s heart to make its fantastical premise work.

Comments

a Sep 10, 2016 11:04pm
Katrina is the most beautiful girl in public life in India (sans makeup) Period. The tough part is that she is not a natural Hindi speaker and that makes her a very poor Hindi actor. None of her fault though. She's paid well and she does what she is asked to do as an actor. What really disappoints me is the fact that she would be monumental in a true English movie (Not Hollywood, Indian movie made in English) and nobody has tried to cast her in one such project. C'mon guys. How about a Rahul Bose, Katrina Kaif, Kamal Sidhu, Upen Patel movie ??
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Khwarezmi Sep 11, 2016 05:27am
I havn't seen any Indian movie for ages and don't know any one who watches them, including my Indian friends. Reason being: they are mostly lame, with no ground realitiy or rip off from other productions (including songs). To say you watch Bollywood is like saying you have bad taste.
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Rik Sep 11, 2016 12:45pm
@Khwarezmi go n watch Masaan, Court, Titli, Thiti, Sairat, Labor of Love, Island City to name a few...the last two names are the two consecutive best debut director winners at Venice Film Festival, Sairat was a Berlin Crystal Bear nominated film, Court won Venice Horizons Award and has a Metacritic average of 81 with the super prestigious RogerEbert and Variety websites both giving it 4 stars, n these are just examples of the last two years ...to sum it up, derive a better grip of overall reality while judging facts.
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Santosh Sep 11, 2016 03:41pm
@Rik These are offbeat movies, the mainstream bollywood continues to be a big bore with plots shamelessly copied from the west and a lot of loud noise and jerky body movements in the name of music and dance.
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Sam Sep 11, 2016 03:42pm
@Khwarezmi - Last time I checked, a Bollywood film netted Rs300 Crore in a couple of weeks... wonder where that money is rained from ???
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Zak Sep 12, 2016 05:23am
Pakistani movies are very nearer to reality. I always prefer them to Bollywood.
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Gp65 Sep 12, 2016 08:27am
@Santosh Queen, Yeh Jawani Hai Dieani, Barfi, Bajirao Mastani, Dil Dhadkne Do, Airlift, Sultan, Bajrangi Bhaijaan, PK, Fan , Kapoor and Sons, Piku are all commercial movies in the last couple of years and each has a story different from the other and cannot be simply panned as loud movies with jerky dance movements.
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