In refusing to support an installation that named Rao Anwar, Karachi Biennale reveals the burden of privilege
The organisers of the biennale should know that taking distance from a protest against state excesses isn’t benign.
The movie takes prominent position in a long list of movies that are little more than wanton acts of cultural vandalism
When I think about it, the film actually has very disturbing undertones.
How did her extraordinary mission begin and what keeps her going? We find out