Review: Parey Hut Love is pure rom-com escapism
Based loosely on the classic rom-com Four Weddings and a Funeral, Asim Raza’s second feature, Parey Hut Love makes for a lighthearted and funny Eid watch.
Featuring Maya Ali as Saniya, a strong, driven grad student and Sheheryar Munawar as Sheheryar, a struggling actor, in leading roles with star-studded supporting cast and cameos, the film sets out to tell a story of personal growth and star-crossed love finally persevering in the face of seemingly insurmountable barriers, both personal and external.
How well did it manage that?
A little about the plot: Sheheryar is begrudgingly attending his cousin Natasha's (Parisheh James) big fat mehndi, where he meets Saniya, who is visiting Karachi after living abroad in Turkey for many years. After the event is over, Sheheryar takes Saniya out to see the City of Lights before she leaves again. Over the course of the night, the two fall in love and promise to stay in touch.
It works for a while, but soon, Sheheryar can't keep up the commitment and Saniya's calls and unreplied texts start piling up. By the time he changes his mind, it's too late and Saniya, though hurt, has moved on — but all is not as it seems.
What to expect
Parey Hut Love is best enjoyed if you keep in mind what you’re heading into the cinema for — two hours of pure rom-com escapism in a beautiful, meticulously crafted world with endless, dreamy nights, perfect outfits and tons of inspo for any upcoming weddings, whether your own or a friend’s/cousin’s.
If the thought of watching four shaadis in two hours stresses you out as much as attending them, you needn’t worry. Each wedding showcases a different culture or community within Pakistan — albeit a standardised, bougie version of each — which keeps the visuals interesting.
However, the exercise of showcasing Pakistan’s diversity through its many wedding traditions is just that — an aesthetic, exhibitionist sensory overload of excess that does little to drive plot, character or motif development beyond providing a venue for the meet-cute. There are also moments it veers hazardously close to Tarang ad territory.
Buf if you're into that, there's plenty of it.
The film cuts to intermission with a cliffhanger that is intended to shock (but which may come across as crass and insensitive to some) and things really do come together to a satisfying end in the second half when all the loose ends are tied up.
Poetry and word play abound, with references from Faiz to Neruda to Madonna.
When will we start fleshing out female characters onscreen?
Parey Hut Love's producer and leading man Sheheryar Munawar’s character — very helpfully also named Sheheryar — is lucky in the sense that much of the film’s character development seems to be reserved for him.
He takes the emotional highs and lows of his character in stride to look within and struggle with introspection and repeated career and personal setbacks. “Main fail horaha hoon, failure hoon nahi” (“I am failing, I’m not a failure”) is a memorable line among many as his character matures in the second half.