This Eid isn't about taking risks, it's about embracing tradition
‘Tis the season when people begin asking each other, ‘What’s trending this Eid?’ But perhaps a more relevant query would be: does anything ever trend on Eid?
The festive season, following a month of food deprivation, food binges and the proverbial holy battle against vice, has never really been one for sartorial statements. Eidul Fitr, in fact, with its predilections towards mehndi, bangles and ethnicity has always been more of a traditional affair.
Commercially-savvy designers — and there are so many of them now — know this and Eid collections tend to be beautiful, as opposed to cutting-edge. Unfortunately, at the hands of the untalented, beautiful can also be boring. Take your pick of any Eid exhibition taking place in your city and you’re likely to encounter cottons in soft pastel shades and the colour du jour, a classic crispy white. The hues and the lightweight fabric make sense simply because Eid this year is likely to be swelteringly, unbearably hot. So far, so good.
But splayed out on this pretty canvas is usually a repetitive concoction of applique mixed with lace, running into chikan finishings with a dash of beaded borders and frills. There is also a favourite buzzword doing the rounds and it’s called ‘chikankari’. This delicate shadow-work was having a high fashion moment about a year-and-a-half ago. That moment has now been prolonged to eternity and, although it remains beautiful, chikankari is now completely ubiquitous.
“On Eid, people like to go back to their roots,” observes designer Rizwan Beyg. “They opt for shalwar kameez and dupattas.”
Very few instances of chikankari, such as in Image Fabrics’ version which is worked with gota, stand out. In general, though, most Eid exhibits boast the same chikankari as the Pakhtun vendors sitting in Aashiana or Liberty Market. Shockingly, sometimes both have the same fabric!