Motorcycle Girl isn't the film I expected but it isn't bad either
Let's get one thing straight right off the bat: Motorcycle Girl is barely a biopic.
This needs to be said because the movie was marketed as one in its initial stages. However, just yesterday, the film's director and writer Adnan Sarwar admitted that it is "a heavily fictionalised account" of Zenith Irfan's life so far.
Zenith is not your average Pakistani girl. Her multiple bike journeys (documented in her Facebook travel blog "1 Girl, 2 Wheels") through Northern regions of the country "where it's taboo for women to venture out unaccompanied, let alone riding solo on two wheels" attracted worldwide attention and have been covered by publications such as CNN, New York Times and Vice to name a few.
Ahead of the flick's release, she shared via Facebook: “I want you all to know that Motorcycle Girl is not just a film about motorcycles or traveling, it’s a film about a daughter’s relationship with her father and how she connects with God while on a quest to find her father in the mountains."
As someone who followed Zenith's journey through social media, I was aware that a big driving force behind her embarking on this adventure was to feel a connection to her late father who had dreamed of traveling the world on his motorbike. On that front, I was a tad bit disappointed but more on that later.