Badrinath Ki Dulhania is yet another Bollywood movie that glorifies stalking
Badrinath Ki Dulhania is not your average light-hearted romantic comedy nor is it the crusading feminist film it aspires to be.
Varun Dhawan stars as Badri, a debt collector in Jhansi who works for his wealthy father. He runs into the lovely Vaidehi (Alia Bhatt) at a wedding and immediately decides that he wants to marry her. All it takes is one brief exchange of insults and one dance number for him to know she’s the woman for him – so much for a progressive story line.
Admittedly this is a small-town romance. Badri is from Jhansi and Vaidehi lives in nearby Kota. Middle class Vaidehi’s parents worry about scraping together enough dowry to marry off both their daughters, both of whom are educated, pretty and have plenty going for them.
Badri’s father meanwhile, despite being wealthy, demands a hefty “wedding gift” when his sons marry. This may seem like a decent premise for tackling the entire dowry issue but the film rapidly goes off the rails.
After that first meeting, Badri immediately sends a friend to talk to her parents and, as an afterthought, tells her he’s planning to marry her. Vaidehi tells him she isn’t interested – on multiple occasions, in many ways and in crystal clear language. Badri, of course, is a Bollywood hero so he thinks “no” really means ‘she doesn’t know what’s best for her’.
Cue stalking, dogged insistence and some manipulation packaged as gallantry from the hero. Regardless of the fact that this sets up the rest of the plot, it’s deeply disappointing to see this as the basis for yet another love story.
From Shammi Kapoor and Saira Bano in Junglee (1961) to Anushka Sharma and Salman Khan in Sultan (2016), no rarely means no.