Urwa Hocane's latest TV drama Udaari explores class divisions through music
The first episode of Hum TV’s new Sunday night offering Udaari reads like a brightly colored map of Pakistani society today. Divisions of class and wealth are amply illustrated but so are everyday human interactions.
After the serial Rehaii, this is writer Farhat Ishtiaq’s second collaboration with the Kashf Foundation, which promotes women’s empowerment. Rehaii showcased the evils of child marriage, and Udaari deals with difficult social issues like sexual abuse and rape. The producers behind this serial are Momina Duraid Productions and the Kashf Foundation with an additional grant from the Canadian Government. Farhat Ishtiaq is famous for sensitive, romantic novels; notably Humsafar and last year’s iconic hit Diyar-e-Dil, and though Udaari covers more challenging ground, it will hopefully retain the writer’s usual compassionate, positive style.
The story so far
Udaari tells a lot of stories, and introduces to a lot of characters very quickly. It is to director Ehtashamuddin's singular credit that he blends so many introductions with a deft hand, making a seamless transition from the rural Punjabi singers or 'Merasi' family who live a happy life singing and dancing for a living despite other people’s prejudice and their own poverty to well-to-do college kids forming a band.
Music is a recurring theme in Udaari and the opening sequence gives us no less than four singers.
Meerab (Urwa Hocane) sings like a husky angel as she hangs her washing, her parents Sheedan (Bushra Ansari) and Majid (Rehan Sheikh) are also great singers. They live near a widow Sajda (Samiya Mumtaz) who makes ends meet by working at khoti in Lahore.