Classic Nida Azwer takes center stage at an otherwise mundane PLBW Day 1
Beautiful, traditional bridal-wear sells well which is why designers with an eye for business create it. And when the clients begin to flock in, they create some more.
Beautiful, wearable clothes, with layers and layers of embroidery winding over them. And so the vicious cycle turning the wheels of the business of bridal-wear continues.
Nothing wrong with that at all except when you place those clothes on a catwalk that is ideally all about setting new trends. What trends can be set with heavily embellished bridal-wear?
Sometimes, none at all. And at other times, at a fashion week dedicated to bridals, the trends can be found within the details: a new color palette, unique placements of embroidery, a twist to a conventional silhouette.
These nuances can make a collection stand out. Also, quite often, a great bridal collection is one that simply celebrates the work of a designer, asserting a well-honed signature and showing how it’s getting stronger.
In that vein, the first day of this year’s PFDC L’Oreal Paris Bridal Week (PLBW) was, more than anything else, a celebration of Nida Azwer’s glorious, instantly covetable artistry. There were also certain others who made a mark.
But before we go into the sartorial details, let’s turn towards the PLBW runway this time around: a faux garden with a backdrop of leafy plastic plants and astro-turf covering the length of the walkway. The theme would have befitted a spring/summer event more easily rather than a fashion week positioned in autumn/winter.