The Adab Festival kicked off with dance, lectures, and more than a little deja vu
As it turns out, Karachi's Governor House is a pleasant venue for a literature festival, or at least one where the crowd is smaller than that of lit fests past.
On Friday evening the city's newest culture fest kicked off.
The Adab Festival is the brainchild of Ameena Saiyid and Asif Farrukhi, born after Saiyid departed from her longtime role as Managing Director of Oxford University Press Pakistan.
Perhaps predictably, as the duo are also responsible for founding the Karachi Literature Festival, the event more more than a passing resemblance to the scheduling and invitees of KLF.
Read on for a summary of the day.
Inaugural ceremony
The Adab Festival launched with speeches by the co-founders Ameena Saiyid and Asif Farrukhi.
Added Saiyid, "We are thankful to all of you, especially the international authors, for your presence and participation."
Asif Farrukhi followed Saiyid's speech, claiming Adab Fest to be "amazing, challenging and exciting."
"With this success story behind us, we have organised the Adab Festival this year to celebrate literature in other languages and recognise emerging voices as well. We tend to pass on nothing but cynicism to our younger generation... We have started from scratch with a small team, but are determined to make it successful because of our working relation with books, poets and writers."
Farrukhi also took out a moment to remember Fahmida Riaz, who passed away November 2018 saying, "She remained a guiding spirit for me."
Also giving speeches were Sindh Governor Imran Ismail, Khalid Mahmood and Steven Winkler.
"It's great that we're focusing on art and culture," said the Sindh Governor. He added that "We have not had such events in the past decade or so but now that peace has returned to the city, Karachi's past glory is returning."
He added, "Imran Khan promised to open up public buildings for the public's use. So he is why we are here."
Academic Vali Nasr, writer Dr Arfa Sayeda Zehra and Ishrat Husain then delivered their keynote speeches.
"Adab taleem se zyada tehzeeb aur tabiyat ka hissa hai," said Arfa Sayeda Zehra, gaining nods in agreement from the audience in return.
Post speeches, Kamila Shamsie won the Adab Festival Getz Pharma prize for her novel Home Fire, which her sister accepted on her behalf.
The ceremony ended with a Sindhi folk dance on Abida Parveen's 'Mor tho Tile Rana' by Sumeira Ali's group. The dance was a celebration of the peacock's dance in the rain. The dance felt accurate for the festival, what with the peacock being the logo for Adab Fest.
Roaming around the festival
We aren't kidding about being distracted during the inaugural ceremony by all the delicious smells coming from the food vendors on our left. We took the time out to see the set up of the Adab Fest while grabbing a few bites to eat.
While the food court isn't the biggest such a festival has seen, it gave us just what we needed to keep going for the festival and the weather. Also, a lot of coffee.
Some of us may have started prioritising the wrong things at a literary festival though...
Leaving the food section and looking at the many stalls and the pavilions set up for the sessions, the resemblance to KLF was uncanny. With the only difference being the lack of indoor halls - which wasn't a problem at all due to the chilly weather - the set up, the sessions, the overall structure of the day both in terms of lay out and in arrangement was too similar to Ameena Saiyida and Asif Farrukhi's previous festival. While we understand that literature festivals over all have a certain template, we were hoping to see some for of twist.
The inaugural ceremony also took up much more time than anticipated and the sessions started much later than said to be according to the schedule.
Book launch of Nasim Zehra's From Kargil to the coup: Events that shook Pakistan
In the main pavilion a session celebrated Nasim Zehra's book From Kargil To The Coup. Moderator Mosharraf Zaidi pointed out that this was not the book's launch what with it having been released earlier, but the panel was more of a discussion on the book's impact on the state, on security, and on our understanding of the Kargil crisis.