Review: House of Kamiar Rokni makes a successful comeback at PLBW18
Finally, designer bridal wear that set some new trends into motion!
The second day of this year’s PFDC L’Oreal Paris Bridal Week (PLBW) rustled out some stellar collections, managing to achieve what is often impossible for a platform dedicated to the blingy ways of bridal fashion: introduce trends and new ideas to a fusty, glitter-obsessed customer-base.
Some of fashion’s most creative took to the catwalk and it's interesting to note that the truly good designers have definitive signatures of their own. They refrain from showcasing same-looking, forgettable clothes and stick to their own distinctive ethos rather than latch on to whatever is in vogue.
The early evening segment – featuring Lajwanti, Rici Melion, FAS and Ahmad Bilal – was followed by a night that rode high on the innovative talents of Nida Azwer, Misha Lakhani and the House of Kamiar Rokni.
And one would have coined it as a fabulous day for fashion had it not been for the abysmal timings. The shows started late and therefore, ended late, close to 11pm. Were the delays a result of more solo shows being adjusted into the schedule this time around? Solo shows tend to feature more clothes and consequently, preparations often take longer.
If this is the case then perhaps it’s now time for fashion councils to rethink timings. With more and more designers showing a penchant for individual showcases, maybe we can finally try to go the ‘international way’ and start off fashion weeks in the afternoon or, at least, the early evening?
In a nation where people like to dress up at night and go fashion week-ing, the concept may take some time to set in but it makes sense if the focus truly is on business. An event that ends beyond midnight simply isn’t business-like.
Having said this, PLBW did well by slotting the House of Kamiar Rokni for the finale for just as energies had begun to run low, Kami stepped in and worked his magic. There’s more on that later. Here’s the lowdown…
Nida Azwer
With every successive collection, Nida Azwer is proving her prowess with traditional wedding-wear.
Her understanding of colour, craft and Eastern silhouettes is undeniable and she applied it well in her ‘Rani Bagh’. Like a romantic ballad, the collection veered from major key to minor key, blazing down the runway or lilting gently, but riveting at all times.