Meri Guriya tries to capture how pedophiles get away with their terrible crimes
ARY Digital’s Meri Guriya continues its gripping journey into the kind of tragedy that is all too often in the headlines.
The story revolves around a small family eking out an existence in a lower middle class mohallah. Shehnaz (Sania Saeed) is determined that her daughters get an education despite her meager circumstances and the dire predictions of her mean-spirited mother-in-law (Ayesha Khan). Two of her daughters go to school while the youngest, Abida, is a regular at the local madrassa.
Another family living a few streets down also has its share of difficulties and issues. The youngest son Dabeer (Mohsin Abbas) is strangely immature and refuses to settle down with the girl he has just married. Instead his eyes follow Abida, a frequent visitor to his home due to her friendship with his bride, Safina (Sonya Hussyn). Dabeer is a pedophile, uninterested in adult women and the predator responsible for the spate of rapes and murders of young girls in the area.
Also read: Meri Guriya's tragic first episode treats child abuse sensitively, but is the project ethical?
Meri Guriya shows how pedophiles go undetected
After the gut-wrenching culmination of Dabeer’s obsession with Abida, the young girl's brutalised body is recovered in yesterday's episode.
Egged on by the buzz of social media that the sensation-hungry press is creating; the shock and grief give Abida's father Shahmir (Sajid Hasan) the courage to stand up and demand justice. The police response is as usual callous and obstructive, an attitude that ultimately makes them the rapist's inadvertent accomplices.
Dabeer all but admits his guilt outright as he trips over Abida’s grave but instead of making inquiries the police spend their time suppressing the investigation with threats and bribes. So while Shehnaz weeps and rages for justice, we are shown exactly how society works against victims and supports criminals like Dabeer.
Dabeer is not a criminal mastermind. The only reason he has escaped detection is the apathy that runs unchecked throughout the community. Children disappear every other day and police officers don’t even want to file an FIR. The neighbours are busy in their own lives. But the truly sad part is the ignorance of the young victims' own families.
Director Ali Khan has effectively kept up the tension in each episode while handling the scenes between Abida and Dabeer with restraint and care. Their interactions were at least superficially innocent with only Mohsin Abbas’s subtly sliding expressions hinting at his cruel intentions.
Studies show that pedophiles are amongst the most manipulative and narcissistic criminals known; they work tirelessly to project an image of reliability and generosity to gain people’s trust in the pursuit of their victims. Mohsin Abbas takes that cliché of the “quiet, pleasant guy next door" and fashions a sinister portrait of evil hidden in plain sight. There are plenty of signs that point to Dabeer’s pedophilia — the dolls tucked away in his cupboard, his frequent disappearances, his lack of interest in his wife and the way he talks to children, Abida in particular.
Despite all his plans and maneuvers, Dabeer is not a criminal mastermind. The only reason he has escaped detection is the apathy and ignorance that runs unchecked throughout the community. Children disappear every other day and it is dismissed as just another hazard of life in general. The surly, indifferent police officers don’t even want to file an FIR and the neighbours are busy in their own lives, but the truly sad part is the ignorance of Abida’s own family.