Review: Karachi Literature Festival 2018 betrayed a crisis of ambition
It has taken me several days to identify what feeling, mood or impulse best defined the 9th Karachi Literature Festival (KLF), held last weekend at the Beach Luxury Hotel.
Was it nostalgia? Yes, much of the festival’s programme hinged on nostalgia. As usual, several sessions were devoted to Partition and the birth of Pakistan, and much time was spent isolating where it was that we had gone wrong, as if the present series of crises we find ourselves mired in as a nation could be traced back to a singular, monumental error.
Also read: The 9th Karachi Literature Festival kicks off today
But as I navigated the quaint halls of one of Karachi’s landmark hotels and idled at the food market set up in its parking lot for hungry book lovers, I realised I was confronting something else entirely — a mood that some may say plagues the local publishing scene as much as it did this literary festival. That is, a waning of ambition.
There’s no doubt that at its inception, KLF marked a turning point in Karachi’s cultural awareness. Wildly ambitious at the outset, in a couple of short years, KLF cemented itself in the city’s consciousness as a festival of ideas, a meeting point for curious residents and those writers and intellectuals who found themselves within reach of the festival’s organisers.
Before the Karachi Literature Festival hits its 10-year milestone, it would be in its interest to re-examine how it can be so much more than it already is
It was easy to be groundbreaking then — not much else existed to compare KLF to, and the lack of social media meant we weren’t as up to speed with global trends as we are now, anyway. But with new festivals and socio-cultural initiatives blossoming all around us, and the wider world at our fingertips through our phones, we have to ask: is KLF keeping up? Is it still ambitious?
I pondered these thoughts as I sat through a session in the main garden featuring Bushra Ansari, recalling that I had seen her occupying this very spot a year prior, while she interviewed Shabnam at KLF 2017. I wondered some more as I realised that a panel discussion I had witnessed last year, titled ‘Zara Hut Kay’, was more or less rehashed this year with the title ‘Reality Catches up with Satire’. The panel titled ‘The Flames of Separation’ took me on yet another stroll down memory lane to lit-fests past, and then a session devoted to reminiscing about music group Junoon’s former glory had me break into a run.