Nepal feels 'just right' to the organisers of Sine Valley
What is the future of the festival? Is there a chance of it happening outside of Nepal? Perhaps, Pakistan?
Manal: We have some ideas in the pot to brew some projects in this region. No solid plans but very promising nonetheless.
Rishi: Sine Valley was born in Nepal but can be hosted in any part of the world.
Daniel: Only the future knows! I suppose it would be really fun to showcase some of this outside Nepal, so that’s definitely an idea that’s still on the table. It just depends on whether we can garner enough support to cover the logistics of it to happen outside Nepal.
The artists share their experience...
Images: How has your experience of Sine Valley been?
Natasha Noorani (Pakistan): Sine Valley has really helped me grow as a musician. With the backdrop and nurturing vibes of Kathmandu and a stellar line-up, it's been wonderfully ideal conditions to be a part of the festival. It's a fantastic initiative and really pushed me to experiment and, most importantly, share my music with people.
Marta del Grandi (Italy): The experience has been challenging. It gave me space to try experiments, to get to know the artists personally and understand a deeper level of their work.
Aditya Nandwana/Sawhorse (India): In one word: amazing. It’s hard to connect with musicians from the South Asian region who are extremely talented and forward-thinking musicians, but remain unknown for a long time until they are known in the Western underground circles, because our music networks still have a fairly long way to go.
To bring together Nepali, Maldivian, Pakistani and Indian performers in a unifying space of experimental electronic music is a heroic task. This festival should be known a lot better than it is, and should grow.
Chandresha Pandey/Zeromile (India): It was amazing to work with so many artists from all over the world. It was a great musical exchange which we normally don’t experience here. Playing with each others gear and singing along with them was great fun.
It feels good to be a small part of something that is creating a community locally and focuses on our extremely rich musical present, that defies the imposition of borders on the creative act." — Aditya Nandwana aka Sawhorse
Images: What do you get from collaborating with artists from different regions, across genres and various mediums?
Natasha Noorani: The festival started out with a week-long collaborative exercise that was extremely challenging but so rewarding. Everyone was really keen to share ideas and get to learn from each other. It was a really great group of people to be working with so intimately. I've gotten to collaborate and work closely with musicians from Nepal, Pakistan, Italy, France and India and it's really interesting to see how unique everyone's process is.
It's extremely interesting to hear how the People of Electronicity bring fresh strands of musical ideas purely because the space that Sine Valley creates enables each artist to showcase their own work and to collaborate closely. It's challenging to access and interact with another musician's style and to do it justice but the fact that everyone was so supportive really helped!
Marta Del Grandi: The diversity within this festival was surely inspiring and helped me to focus on giving a clearer direction to my own work. I felt a connection with the work of some other musicians and I hope there will be the chance for further collaborations.
Aditya Nandwana: Personally, a big reason for me to be part of this is that it enabled me to connect with peers from Pakistan. Indian and Pakistani artists have had no easy task coming together and creating something beautiful because of the political rifts that divide the nations to celebrate the common language and skill set they share.
Collaboration is always harder, nobler and of greater value than competition, and this is as true for music as it is for everything else. It requires and enforces humility. Having entered music at a very late age, I feel like I have grown a lot by playing with or simply observing better musicians who integrate their cultural identities, languages and local influences into how they shape sounds and rhythms.
I think this is true of everybody - people from the South Asian region might have common origins, but have grown extremely diverse over time. To add to this, electronic music is a very powerful medium, because the electronic music machine has no true cultural identity and the synthesiser is an instrument that is never complete. To watch these brilliant musicians bring in their backgrounds and express them through the medium of electronic music was humbling. To play alongside them, across genres, was eye-opening and made me rethink my own abilities as a musician - in a positive way.
Chandresha Pandey/Zeromile: An art extends with collaboration. Regardless of where we come from and what genres we belong to, we can create one sound. It was a fun learning process. We've got new friends and good memories. Feels amazing to be a part of such great event.
How do you think this exposure benefits your career going forward?
Natasha Noorani: The festival really allowed me a space to be open to exploring myself as an artist and it's been so great playing around Kathmandu over the last 10 days. It's really been pivotal in helping me acknowledge myself as a musician and to want to just learn, evolve and collaborate more!
Marta Del Grandi: I think this experience represents a coherent stepping stone in my artistic journey and helps me to establish myself as a solo performer.
Aditya Nandwana/Sawhorse: I never saw the festival as a way to benefit my career as such - what I can say is that Animal Factory Amplification, my brand of pedals and synthesisers in Bombay, was always intended to be a local answer to creative sound devices.
I believe that the talent represented at this festival was no less than world class, and proof that South Asia is a musical powerhouse that underestimates itself greatly. It feels good to be a small part of something that is creating a community locally and focuses on our extremely rich musical present, that defies the imposition of borders on the creative act. As for my career, playing and interacting with musicians better than yourself always betters you.
Chandresha Pandey/Zeromile: We learnt a lot from each other’s music. It boosted up the energy and motivated us to make some more interesting sounds.