Life in a refugee camp is a surrealistic nightmare. All nightmares, at some point, come to an end.
But when you are made to feel like a refugee in your own homeland, the nightmare becomes a Sisyphean struggle where you are forced to push a giant boulder up a mountain and then roll it down to repeat the exercise over and over again. Imagine setting up a theatre group in such a locale.
Or don’t. The story of the Freedom Theatre that operates from the Jenin Refugee Camp on the West Bank is both heartwarming and heartrending, in equal measure.
The Palestinian theatre group has been putting up plays for more than a decade under intense and patience-testing circumstances. It has been a hard-fought struggle for them, losing friends and colleagues along the way. This is where the concept of cultural resistance has come to help them, shore up their morale, and making their resolve steelier by the day. The more the pressure, the better their performances will be. The group’s latest offering, Return to Palestine, is a cogent example.
On March 17, the Freedom Theatre landed in Karachi to take part in the International Theatre Festival organised by the National Academy of Performing Arts (Napa). They performed Return to Palestine on March 18 to a packed hall. Icon sat down with the leader of the group Nabil Al-Raee (husband of Micaela Miranda who directed the play and could not come to Pakistan) for an interview during a rehearsal session. Excerpts follow:
Tell us about the Freedom Theatre. When and how was it formed?
Nabil Al-Raee: The Freedom Theatre has a lot of history. It was established in 2006. Before that there was the Stone Theatre. Stone, because the first Intifada, the first uprising of the Palestinian people, happened with stones against the Israeli occupation. And even before that there was an initiative called ‘Care and Learning.’ It was a Jewish woman’s idea. Her name was Arna Mer Khamis. She was married to a Palestinian. She was one of the freedom fighters who believed in the Palestinian cause, our struggle, our rights.
Arna came and worked on the streets of the Jenin Refugee Camp. In the beginning people suspected her — a Jewish woman coming to a refugee camp, what for? Until one day a woman, Samira Zubeidi, from the camp saw her working. She welcomed Arna and invited her to work from her house. From then on, it became a movement. Arna won the Alternative Nobel Prize (Right Livelihood Award) for her work with the young people.
After money started to come in, they built their first theatre — the Stone Theatre. They set it up above Samira’s house. The Stone Theatre continued to work until Arna died of cancer. Then the second Intifada started and Samira Zubeidi was killed by an Israeli sniper. Her entire family suffered a lot at the hands of the Israeli occupation. One of her sons, Zakaria, was the most wanted by Israeli forces.
Then Arna’s son Juliano came to the fore to carry on with his mother’s work. During the second Intifada the Israeli army invaded the Jenin Refugee Camp in 2002 and killed a lot of people. There was only one survivor, the son of Samira Zubeidi, Zakaria. After the carnage, a great deal of solidarity came from around the world and by coincidence a guy from Sweden, Jonathan Stanczyk, ran into Zakaria and talked about the role of culture in life. They met with Juliano and decided that they would come back and open the theatre that was working before. That’s how the Freedom Theatre was established [in 2006].