Way before the burkini ban, Hindi cinema has been lifting and dropping the veil
Some French towns may have banned the burkini from their beaches, but veils have always appeared in Indian films in many avatars. Indian films perform gymnastics with them, incorporating veils into narratives in deliciously diverse ways.
Veils in their most obvious incarnation, the burqa, were central to the plots of classic Muslim socials. Although the name of the genre attracted considerable debate, these films generally focused upon the social upliftment of Muslims through education, while asserting the importance of tradition.
In Chaudhvin ka Chaand, Nawab Sahib falls in love with Jameela when he accidentally catches a glimpse of her. When his mother tries to convince him to marry a woman of her choosing, he requests his friend Aslam to marry her instead. Unknown to him, this woman is Jameela. Her burqa prevents Nawab Sahib from recognising Jameela as the woman he is in love with.