I hope young filmmakers undo the NGO-isation of documentaries: A Walnut Tree director Ammar Aziz
“World over, the documentary film scene is radical. Documentary is supposed to be a radical medium. In even the most conservative societies, documentary filmmakers are radical people.”
So said 28-year-old documentary filmmaker Ammar Aziz, who won Pakistan its third FIPRESCI Prize for his debut feature-length documentary, A Walnut Tree in late May. The International Federation of Film Critics, or FIPRESCI, is an international consortium of national film critics and journalists promoting film culture. The organisation hands out this prestigious prize during film festivals worldwide.
Aziz, a self-confessed Marxist, was awarded the prize after the film’s show at the Documentartist, 9th Istanbul Documentary Days in the beautiful Turkish city last week, and joins a prestigious list of filmmaking legends such as Satyajit Ray, Jean-Luc Godard, Terrence Malick and Michael Moore to name a few who have received the same honour since its inception in the 1940s. The young filmmaker is only the third Pakistani to be receiving this award, with Jamil Dehalvi and Mehreen Jabbar being the previous recipients.